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Remnant Stew

Tristan MacAvery

 FormatISBN Price  
This Book is Available Paperback (6x9)9781414017310 £ 11.25  
About the Book

This first collection of Tristan MacAvery's short works spans over two decades of humor, experience, passion, and wonder. Here are tales of a lady who still speaks to unicorns; of a writer who finds a muse that's a bit more than he bargained for; of a pair of space pilots, drinking one last toast to each other before their respective planets go to war; of a town whose people live only to build and rebuild the wall which surrounds their ever-shrinking land; of an office temp who discovers that his boss just might be the very devil to work for; and of aliens who try to mate with Volkswagens.

There is food for thought here also, ranging from the comedy of breaking a toilet while being attacked by a religious icon, to the drama of trying to rescue a drug-crazed young man from his suicidal cravings. Essays discuss everything from the relative worth of Henry David Thoreau's Walden to the modern world, to an entire political platform that has something to offend just about anyone who has lost hold of his common sense.

Remnant Stew: A tasty dish to set before anyone with an appetite for excellent writing.

About the Author

TRISTAN MacAVERY began writing at the age of 10 and didn't know when to quit. He has published in a variety of literary magazines, has been a contributing editor to a city magazine and a statewide newspaper, and a technical writer. A voice actor, scriptwriter, and director, he has appeared in, written, and / or directed more than 60 Japanese anime titles, and is now providing voices for video games by Archaic Jump Productions. He was particularly busy during 2003, as First Books Library reprinted two of his published novels and printed two new books as well (including this one). Still single, he lives in Houston TX, where he pursues his acting and writing, along with coaching improvisation, stand-up and sketch comedy.

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From “Pussywillow”:

It was a workday, just as it would have been for her not long ago, so the park wasn’t very crowded. She walked along the sidewalks slowly, taking in the newness of the greenery around her, the feeling of life beginning over again after a long winter’s sleep. Still smiling, she spotted an empty bench and walked over to it. It hadn’t even been defaced by the inner-city youths. She sat down with a contented sigh, set her purse by her side, folded her hands in her lap, and waited.

It wasn’t long before they began to come out. From under a nearby bush, a tiny dragon, no more than a few weeks old, stumbled toward the bench with comic determination. He looked up at her and puffed a tiny question mark. She smiled at him and nodded reassuringly. . .

From “We Are Not Amused”:

Miss Kepler sat primly in her chair. “Now then, Mr. Finklemeyer, I understand that you’re having a little trouble with your new employee?”

“I fired her,” he spat. “She was unsatisfactory.”

Miss Kepler sighed heavily, pressing the heel of her hand to her forehead. “Mr. Finklemeyer, we’ve had this conversation no less than a dozen times.”

“Fourteen, to be precise.”

“Yes. Fourteen. And like I’ve told you before, this is not an easy position to fill. There simply isn’t much call for...”

“Look, Miss Kepler.” Willard emphasized each word carefully as he delivered his speech once more. “I’ve told you before that I am an artist, a writer to be specific. My needs are highly specialized, and I have no time to waste trying out and breaking in unqualified people. The job is simple enough for someone who knows how to perform it. I’ve gone through every other employment agency in the city, and they all think I’m crazy. When you said that you could fulfill my need for a muse, I took you quite seriously.”

From “Blue Antiphon”:

I blow out another puff of smoke, adding to the stale haze already hanging in the air. It’s another habit I could obviously do without, but I can only take one change at a time. The smoke turns green, yellow, red, green with the traffic light from outside. It’s the only light there is in this midnight room. I sit in a ragged overstuffed chair, still naked; it’s too hot for clothes. I can see sweat glistening on my legs and stomach. The rattling fan from some 1940s B-movie doesn’t help much, except to make the smoke move slightly, like a snake dance.

The room is small. Originally, it was all that I could afford; now it’s just habit. I don’t want much. Don’t need much. I’ve got a few clothes, a guitar, a smoke, food when I want it. You don’t have to do much for food these days, if you know how. I know.

The windows are open, but I don’t care if anyone looks in. It’s been raining. You’d think that would cool things down a little, but Houston is one big humidity factory in the summer. I can hear the occasional sloshing of cars down below. I’m sure that he’s not coming back, but once in a while I wonder if maybe the wet sound of tires comes from his car. Probably not. It’s probably too late now.

Somewhere in this low-rent prison is a man with a horn. He’s good, this guy. Blues on the sax, every night, like he’s trying to practice up for some big gig, or maybe just trying to say something about how much it hurts to live through one more day. I remember feelings like that, from a long time ago. Haven’t seen them around here lately, though. No big deal. But that horn...that’s a Lonesome like I’ve never heard before.

Another puff of smoke rises thickly through dead air. I oughta quit. . .

From “Untitled”:

The first thing we heard about it was when the aliens tried to mate with Volkswagens. . .

. . .“Mr. Fortenberry! It’s outside the building, right now! It’s trying to do it again!”

“What?”

“Come quickly!”

We all but fell over one another in a race to the front doors, I for one thinking this I gotta see. And, insofar as was possible, I did.

The creature was a Vyglot, a sort of turtle-shelled biped with a green-tinted, almost human-looking face which carried a look of perpetual incomprehension. Vyglots, as a species, were considered to be relatively simple-minded, but they could carry tremendous weights when they shifted to walk on all fours, rather like shifting a car from two to four-wheel drive, and as such they became a valued part of the “green collar” workforce. The Vyglot in question, who would have stood some seven feet tall if he were erect...er, that is to say, upright, was sprawled across the back of a parked Volkswagen Beetle, making a sort of...well, appropriate motion with the equivalent of his hips. I found it difficult to imagine what sort of physical accoutrements he might have been using, and still worse, I couldn’t imagine where he’d put the damn thing.