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Like Rimbaud on the #358: Selected Poems 1988-2004

John W. Gorski

 FormatISBN Price  
This Book is Available Paperback (5x8)9781420821086 £ 7.25  
About the Book

The poetry in this book is both free and formal verse.  The subjects range from Impressionist paintings, windows into the distortions of mental illness, current events, ecstasy and despair, aging and memory, family and relationships to droll accounts of personal experiences from childhood through adult years.

About the Author

His poetry has been published in Seattle Poems by Seattle Poets (an anthology), Paper Boat, Art Access, Switched On Gutenberg (an online journal), The Metro Poetry Bus Project – 1997 and Real Change.

He has a B.A. in English from the University of Cincinnati and has studied poetry writing at the University of Washington Extension.

He grew up primarily in Maryland and Ohio and has lived in Seattle since 1976.

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Brain Rapture

 

Electric ragas,

born in a New York City warehouse

in the year 2000,

play on the stereo

in a cold room of seeping April air

where guitar notes open

like violets on a hill side

in a Thurston Moore reverie.

 

A pick runs down an E string

like a dive bombing jet

and the accelerating chords

of a Dead Kennedy’s song

rise in a sonic arc.

At its peak a scream

spits out black curses

at greedy corporations

and government hypocrisy.

 

From the 60’s,

a young woman’s wail of pain and love

levitates above the stain glass

hymn of a multitude

singing “Candles in the Rain”.

 

I hear music everywhere

this fading afternoon --

sound waves radiating

in my fiery brain --

pulsing signals from a radio tower.

 

On a bus in North Seattle,

a rap lyric vibrates

from a man’s head phones --

drums knocking against

a wall of thudding bass.

But the steady rhythm

of tires on asphalt comes through

as the tempo slows

and a book of cumulus clouds

unfolds above breathing fir trees

along Highway 99.

 

In these slowed down moments

of early twilight, I see

I’ve been on this journey for years --

Familiar signs imprinted on my eyes.

 

Later in a darkened transit window,

under a panel of fluorescent star light,

I’ll hear the engines song

and watch my face

set like a cavernous moon

in the passing night.

 

2001

 

 

Talkin’ ‘bout my Degeneration – variation on a theme by the Who

 

In a room of twenty something’s,

I was a forty whatever --

a monotone weasel

in aviator glasses --

trying to conduct market research surveys

with the unwitting and anonymous.

 

Everyday was dialing households

who hung up on me,

while a twenty year old

in the next work station

played air guitar between calls --

mouthing White Zombie and Metallica.

The day dragged into a night

of middle aged migraine,

surrounded by voices that said

this rocks or that sucks.

 

“Talkin’ ‘bout my degeneration”

 

I was calling people during

their meatloaf and green vegetables

who protested “why now,

when you know I’m eating dinner?”.

And yet I didn’t know that

and said “these numbers

are computer generated;

we don’t know your name, address

or usual meal time”.

it went on for hours like that.

 

“Talkin’ ‘bout my degeneration”

 

The kids around me riffed

on Star Wars and one exclaimed

in a James Earl Jones voice,

“Luke, I’m your father.”

I was lost in a jabbering room

of energetic youth

where Korn rules and everyone

had the Simpson’s on DVD.

 

“That was my degeneration, baby;

I was in the wrong generation, baby”.

 

2004