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Halloween Candy

Thomas M. Sipos

 FormatISBN Price  
This Book is Available Paperback (6x9)9780759637474 £ 10.75  
This Book is Available Glossy Hardcover (6x9)9780759637481 £ 17.00  
About the Book

Halloween Candy is a Jack O'Lantern of a book. An anthology of horror fact and fiction, newly stuffed after a night of trick-or-treating with film critiques, short stories, haunted house reports, punditry, a screenplay, and an interview with Dark Shadows actor Jonathan Frid. Writings dark and serious and whimsical, and all else that is horror.

Included are new items, and reprints from Wicked Mystic, 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, Midnight Marquee, Horror, Sci-Fi Universe, and Filmfax. Filmfax trimmed my interview of Jonathan Frid, perhaps assuming few readers were interested in Frid's childhood and early career. I restore that information for those who are.

This horror anthology book also contains my horror anthology screenplay . . . Halloween Candy. A screenplay that was honored with an American Film Institute reading (moderated by Robert Wise--The Haunting), was thrice-optioned, and at one point was set to be directed by Tom Savini. This book contains both the screenplay and a recounting of "the making of Halloween Candy." Or rather, how the film almost got made . . . again and again and again. A behind-the-scenes look into the world of low-budget horror filmmaking.

About the Author

Thomas M. Sipos was born in Queens, NY, to Hungarian refugees from Communism. He attended Catholic schools, and graduated from NYU's film school. His childhood visits to family in Communist Transylvania served to inspire his horror/black comedy novel, Vampire Nation, a Prometheus Award nominee.

Sipos's fiction has appeared in Wicked Mystic, 100 Wicked Little Witch Stories, and Horrors! 365 Scary Stories; his nonfiction in The Journal of Horror Cinema, Tangent, Horror, Midnight Marquee, Horrorfind.com, GreenTentacles.com, Liberty, Filmfax, and Sci-Fi Universe. Some of it is reprinted in this volume.

Sipos belongs to the Horror Writers Association, the Science Fiction & Fantasy Writers of America, the National Writers Union, the Libertarian Futurist Society, and the Academy of Science Fiction, Fantasy & Horror Films. He lives in Los Angeles, where his sitcom and horror scripts (including Halloween Candy) have won awards.

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EXT. PEABODY HOUSE - DAY

A suburban street in present-day New England. Trim lawns colored with autumn leaves. Halloween in the air.

Only one house is rundown, paint peeling. Freshly splattered with broken eggs. A rock sails through the air, shattering a window.

CHILDREN: Witch! Witch! Witch!

MRS. PEABODY, a shrewish fiftysomething, peers through the broken window. Four CHILDREN on her lawn, hiding behind bushes: ARTHUR, MEGAN, WOLF, JACKIE, all third-graders. No costumes.

MRS. PEABODY: You brats get off my lawn!

CHILDREN: Burn witch, burn! Burn witch, burn!

MRS. PEABODY exits the house, wielding a broom. The CHILDREN run away, squealing.

CHILDREN: Burn witch, burn! Burn witch, burn!

The CHILDREN race down the sidewalk, crashing into SARAH, a perky young woman with short blond hair, carrying a wicker basket.

SARAH: Whoa! What's the big hurry?

ARTHUR: We're gonna burn the witch!

MEGAN: Yeah, make her suffer!

SARAH: Oh dear. Where's your Halloween spirit? You should be dressing as young witches and warlocks. They're spooky, but not evil.

ARTHUR: No kidding. Witches are wimps. I wanna Charles Manson costume. Rack up a real body count.

SARAH: Oh dear.

WOLF: Witches are boring. I'd rather dress like Marilyn Manson.

SARAH: Rather than a warlock?

MEGAN: Witches are old. I hate old people. I hate generation X.

SARAH: Generation X is old?

JACKIE: Witches are ugly.

SARAH: I'm old?

JACKIE: Like ugly old Mrs. Peabody.

CHILDREN: Yeah, we hate Mrs. Peabody!

SARAH: Children, children. Age brings wisdom. Witch means wise woman. I can't wait to grow old.

MEGAN: Who says you have to wait?

SARAH: Furthermore, most witches are pretty. Even sexy. Only bad witches are ugly.

ARTHUR: Like ugly old Mrs. Peabody!

CHILDREN: Yeah, burn her! Burn her!

SARAH: No, no, children. You mustn't even burn leaves. Pollution makes our planet very sad.

SARAH removes a textbook from her basket, skimming . . .

SARAH: In fact, those of you planning a career in gender studies will be fascinated to learn that Wicca, the religion of witches, is actually an ancient form of nature worship, mischaracterized by Western industrial patriarchy--

WOLF: Witch!

The CHILDREN pummel SARAH with eggs.

CHILDREN: Burn witch, burn! Burn witch, burn! Burn witch, burn!

The CHILDREN run away, screams fading with the rustling leaves.

Smiling wryly, SARAH wipes herself with a handkerchief as she approaches MRS. PEABODY's house.

MRS. PEABODY sees SARAH's clothes, then indicates her house.

MRS. PEABODY: Trick or treat. Cute name for legalized extortion.

SARAH: Oh dear. That's certainly not the Halloween spirit.

MRS. PEABODY: Little monsters still remember last year. I never give treats.

SARAH: In olden days, only dead spirits were entitled to treats.

MRS. PEABODY: I'm all for traditional values. Do you suggest poisoned apples or razor blades?

SARAH: Now, Mrs. Peabody. We both know you could never do anything like that. They're only children.

MRS. PEABODY: So was Billy The Kid. I wish I was a witch. They'd be sorry.

SARAH: Well, I've got Halloween shopping.

MRS. PEABODY: For a pack of ungrateful brats, no doubt.

SARAH departs with a friendly smile.

INT. SUPERMARKET - DAY

Aisles of Halloween decorations and merchandise. SARAH pushes a shopping cart through crowds of shoppers. She reaches for a bag of candy corn and does not see TRUDY (age 6) sneak up and steal the wicker basket from Sarah's cart.

Turning, SARAH is surprised to find the basket gone. She searches and finds it poorly hidden on a shelf. TRUDY giggles from a hiding spot. SARAH pretends not to notice and returns the basket to her cart.

But when SARAH turns around, TRUDY steals it again.

As TRUDY is hiding it, SARAH creeps up and seizes the basket from TRUDY. TRUDY nervously eyes SARAH. Smil INT. SARAH'S KITCHEN - DAY

A modern kitchen. Halloween paraphernalia covers the countertop. A stove heats a plain aluminum pot, boiling water.

SARAH takes a jar from a spice rack, pours herbs into her hand, adding to a blend of herbs, spices, and powders. She takes her concoction to the boiling pot.

A black cat, MORTIMER, watches her.

SARAH: All ready for tricks or treats, Mortimer?

SARAH casts the concoction into the pot.

An EXPLOSION of colored smoke. Eerie theme music swells as mist, sparks, and magic spiral from the cauldron, spelling the

OPENING CREDITS

And transmuting Sarah's modern clothes into the traditional black cape and pointed hat of Halloween witches everywhere. Her pert blond hair lengthens, thickens, blackens. The pot distends into a huge black cauldron, fire raging beneath.

Wind billows Sarah's black hair and cape. Her smile is maniacal but cheerful. An evil but happy witch.

SARAH takes a candy bar.

SARAH: Refined sugar. Saturated fat. Know what that means, Mortimer?

SARAH dunks the candy bar deep into the cauldron's bubbling brew, up to her elbow. She extracts her hand, unharmed. The candy bar is now a big gleaming skull candy.

SARAH: Lose weight now, or lose it later.

SARAH selects a piece of candy corn.

SARAH: Nobody likes poor candy corn. Know why?

SARAH dunks it into the brew. She extracts a bright orange Jack-O-Lantern candy, grinning with one tooth.

SARAH: It rots your teeth!

SARAH selects a green mint candy, dunks it into the brew, extracts a gray alien candy. As in The X-Files.

SARAH: That's not the one I wanted.

SARAH dunks the gray alien into the brew. She extracts a vicious green alien candy, drooling saliva. Like H.R. Giger's Alien.

SARAH: Now that's the Halloween spirit!

SARAH reaches for an apple. MORTIMER growls.

SARAH: Good point. Too wholesome.

SARAH dunks a cupcake, extracting a Frankenstein monster candy. Then she reaches for a cookie. MORTIMER growls louder.

SARAH: All right already! You and your male ego.

SARAH bypasses the cupcake for a black licorice stick. She dunks it into the brew, extracting a black cat candy. She compares it to MORTIMER, then dunks the cat candy in again. She extracts it and the cat candy is fatter. MORTIMER growls.

SARAH: I sculpt it as I see it.

MORTIMER snarls.

SARAH: Diet! Don't blame the artist.

END OPENING CREDITS